In recent years, Ignacio Alvaro's work has gravitated toward painting and sculpture, reinterpreting ritual practices and objects from pre-Columbian South American cultures within a contemporary urban context. Rooted in the exploration of memory, identity, and material narratives, his practice weaves together ceramics and textiles, using fragments—broken vessels, torn fabrics, and ancestral symbols—to stage a dialogue between past and present. Acts of sewing, mending, and reassembling become poetic and political gestures, resisting cultural erasure and honoring the invisible threads that connect contemporary life to pre-Columbian heritage.

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Inspired by ancient Peruvian understandings of materials as vessels of collective memory, Ignacio's work evokes archaeological processes where uncovering and recomposing fragments symbolizes the reconstruction of identity. Influenced by Kintsugi, his ceramics embrace imperfection, celebrating scars as sites of transformation. Through installations incorporating natural elements such as sand, stone, and fire, he creates immersive environments that invite reflection on cultural inheritance, the fragility of memory, and the resilience found in reweaving fractured narratives—a meditation on continuity and the enduring power of ancestral wisdom.

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